I love Venice. The only downside is it's so bloody cold here. The morning was almost unbearable. Oh, and there are way too many tourists, or maybe you just notice it more because the space they can all cram into is so much smaller than the other cities. I don't think I could handle living in a city that had tourists.
Grand Canal |
Soldier's Parade |
Palace Courtyard |
Golden Staircase |
Mouth of Truth - post your letter telling on your neighbours. Truth you get rewarded, if it's a lie, you suffer the punishment for the crime you wrongly claimed they committed. |
The whole thing is fascinating, and I could write pages on all of the interesting tidbits we learnt on that tour, all of the political workings of the time, but you'll just have to come and do the tour for yourselves one day. Venetians were very clever, efficient, and their government worked perfectly for 1,000 years, because of the way they ran everything. Until Napoleon came along, anyway.
Again, photos aren't allowed in most places, and I found out the reason for that - at least as it was for the Doge's palace - they used to allow photography but with no flashes, and of course, 80% of people used their flash anyway. So as a result, they had to ban it totally.
Then, as I mentioned earlier, it was the wonderful gnocchi for lunch, which I found in a little street, I think I was in Rialto at the time. The only way to really see Venice is to throw the map away, and wonder aimlessly. There are many signs on the walls back to the main bridges and piazzas, so you can easily reorient yourself when you need to, but you can't see Venice with a map. Even if you wanted to. So many of the smaller streets aren't named on the maps, or the streets are signed anyway. It's a complete maze.
There are, of course, gondolas everywhere, and you can hear them from either the signing that often accompanies them, or the "Gondola!" shouts. The Gondoliers themselves are a bit of a disappointment - only about half wear the striped tops, hat and neckerchief, and most of them are fat, old, balding men. I think they need to revisit the job description.
I visited the I Frari and saw Titian's Madonna of the Assumption, then wondered through the streets, looking in all of the wonderful shops. I couldn't leave Venice without a mask (or two) and amongst the hundreds of shops, one pulled me in. I discovered why when I went in - the masks are hand painted by the show owner himself, and so they didn't have that mass produced look of most of the others. You really need to look around in Venice, and trust to your instincts - a lot of it is just mass produced now, but if you really take the time to look, you'll find the items that are more individual. The masks in this shop were also really well priced - getting something hugely inferior back home would have cost me at least four times as much - I know, I've looked.
Glass seems to be different - you definitely need to pay more for better quality. Not all of it is Venetian glass, but it's all well signed generally, whether it's Venetian or imported. But even the local stuff varies greatly - and you do need to pay more if you want something decent. It's still not expensive, but more than some of the again mass produced stores on the tourist strips. It's well worth the difference though. You can get anything you can image - from glasses to plates and bowls, jewellery, general trinkets... some tacky of course, but so many beautiful things too.
This is my last night in Venice. Tomorrow I'll spend the morning and some of the afternoon, before heading off to Milan, my last stop in Europe.
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